Ambiguities of the Flesh. Touch and Arousal in Roman Baroque Sculpture

Gastel, Joris van

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Ambiguities of the Flesh. Touch and Arousal in Roman Baroque Sculpture

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Gastel, Joris van
Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte, Max Planck Society;

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Gastel, J. v. (2016). Ambiguities of the Flesh. Touch and Arousal in Roman Baroque Sculpture. In U. Fleckner, & I. Wenderholm (Eds.), Magische Bilder. Techniken der Verzauberung in der Kunst vom Mittelalter bis zur Gegenwart (pp. 161-181). Berlin.

Cite as: https://hdl.handle.net/11858/00-001M-0000-002C-7A67-B

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