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Mapping the aesthetic space of literature “from below”

MPS-Authors
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Knoop,  Christine A.
Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, Max Planck Society;

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Wagner,  Valentin
Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, Max Planck Society;

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Menninghaus,  Winfried
Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, Max Planck Society;

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http://www.sciencedirect.com/science/article/pii/S0304422X16000127
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Citation

Knoop, C. A., Wagner, V., Jacobsen, T., & Menninghaus, W. (2016). Mapping the aesthetic space of literature “from below”. Poetics, 56, 35-49. doi:10.1016/j.poetic.2016.02.001.


Cite as: https://hdl.handle.net/11858/00-001M-0000-002A-1B9F-F
Abstract
The present paper aims to elucidate the conceptual structure of the aesthetics of literature.Following Fechner’s “aesthetics from below” (1876) and adopting a method introduced by Jacobsen, Buchta, Kohler, and Schroeger (2004), we asked 1544 German-speaking research participants to list adjectives that they use to label aesthetic dimensions of literature in general and of individual literary forms and genres in particular (novels, short stories, poems, plays, comedies). According to our analyses of frequency, mean list rank, and the Cognitive Salience Index, beautiful and suspenseful rank highest across all target categories. For plays/comedies, funny and sad turned out to be the most relevant terms; for novels and short stories, suspenseful, interesting and romantic; and for poetry romantic, along with the music-related terms harmonious, rhythmic, and melodious. A comparison of our results with analogous studies for visual aesthetics and music yielded a comprehensive map of the distribution of aesthetic appeal dimensions across sensory modalities and aesthetic domains, with poetry and music showing the greatest overlap.