Deutsch
 
Hilfe Datenschutzhinweis Impressum
  DetailsucheBrowse

Datensatz

DATENSATZ AKTIONENEXPORT
Zur Ablage hinzufügen
  Lokale TagsFreigabegeschichteDetailsÜbersicht

Freigegeben
Konferenzbeitrag

Validating Kinematic Displays for the Perception of Musical Performance

MPG-Autoren
/persons/resource/persons84115

Nusseck,  M
Department Human Perception, Cognition and Action, Max Planck Institute for Biological Cybernetics, Max Planck Society;
Max Planck Institute for Biological Cybernetics, Max Planck Society;

Externe Ressourcen

https://www.researchgate.net/profile/Roland_Cahen/publication/263089169_Topophonies_and_score_navigation_in_ENIGMES/links/0f317539dbb2debbe5000000.pdf
(beliebiger Volltext)

Volltexte (beschränkter Zugriff)
Für Ihren IP-Bereich sind aktuell keine Volltexte freigegeben.
Volltexte (frei zugänglich)

Enactive-07-Nusseck.pdf
(beliebiger Volltext), 108KB

Ergänzendes Material (frei zugänglich)
Es sind keine frei zugänglichen Ergänzenden Materialien verfügbar
Zitation

Nusseck, M., Wanderley, M., & Schoonderwaldt, E. (2007). Validating Kinematic Displays for the Perception of Musical Performance. In A. Luciani, & C. Cadoz (Eds.), 4th International Conference on Enactive Interfaces: Enactive / 07.. Enaction_in_Arts (pp. 381-384). Grenoble, France: Association ACROE.


Zitierlink: https://hdl.handle.net/11858/00-001M-0000-0013-CB1D-D
Zusammenfassung
Human gestures contain certain characteristics and meanings in communication and represent a link
between intention and body. This paper describes a
pilot study investigating the role of ancillary musical
gestures in understanding musical meaning from the
listener's standpoint. We conducted a perceptual experiment
using motion-capture recordings of musicians.
Participants were presented video recordings
and reconstructed point-light displays of music performances. By asking them to rate certain musicrelated
parameters we found that abstract motions of the point-light displays yielded similar ratings to those
of the real recordings. This suggests that pure body
motion seems to be sufficient to communicate certain
musical impressions.