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  In the Eye of the Beholder: Perception of Indeterminate Art

Wallraven, C., Kaulard, K., Kürner, C., Pepperell, R., & Bülthoff, H. (2007). In the Eye of the Beholder: Perception of Indeterminate Art. Computational Aesthetics 2007: Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging (CAe‘07), 121-128.

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Wallraven, C1, Autor           
Kaulard, K1, Autor           
Kürner, C1, Autor           
Pepperell, R, Autor
Bülthoff, HH1, Autor           
Cunningham, Herausgeber
W., D., Herausgeber
Meyer, G. W., Herausgeber
Neumann, L., Herausgeber
Dunning, A., Herausgeber
Paricio, R., Herausgeber
Affiliations:
1Department Human Perception, Cognition and Action, Max Planck Institute for Biological Cybernetics, Max Planck Society, ou_1497797              

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Schlagwörter: -
 Zusammenfassung: How do we interpret an object - a scene - a painting? Perception research and art illuminate from different angles how the vast amount of information in our visually perceived environment is processed by the viewer to form a coherent and consistent interpretation of the world. Using drawings and paintings by the artist Robert Pepperell, this work attempts to connect these different world views. Pepperell's paintings at first glance seem to be a baroque fresco, an expressionist still-life, or a cubist collage; taking a closer look, however, this concrete interpretation vanishes and we are left with an indeterminate painting. Using psychophysical experiments and eye tracking measures, in this work we seek to illuminate the visual processing of information in Pepperell's paintings. More specifically, we will investigate how the pattern of fixations - the loci of interest - change as a function of the task ("What is depicted in this scene?" vs. "Does this image contain people?") and of the image content. The interpretation of the experimental results in the context of perceptual research will give first insights into the perception of (indeterminate) art. Conversely, the results are also relevant for art, as they provide a kind of perceptual, measurable "validation" of the artist's intentions.

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 Datum: 2007-06
 Publikationsstatus: Erschienen
 Seiten: -
 Ort, Verlag, Ausgabe: -
 Inhaltsverzeichnis: -
 Art der Begutachtung: -
 Identifikatoren: ISBN: 978-3-905673-43-2
URI: http://www.eg.org/EG/DL/WS/COMPAESTH/COMPAESTH07
DOI: 10.2312/COMPAESTH/COMPAESTH07/121-128
BibTex Citekey: 4466
 Art des Abschluß: -

Veranstaltung

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Titel: Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging (CAe '07)
Veranstaltungsort: Banff, Alberta, Canada
Start-/Enddatum: -

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Titel: Computational Aesthetics 2007: Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging (CAe‘07)
Genre der Quelle: Zeitschrift
 Urheber:
Affiliations:
Ort, Verlag, Ausgabe: Aire-la-Ville, Switzerland : Eurographics Association
Seiten: - Band / Heft: - Artikelnummer: - Start- / Endseite: 121 - 128 Identifikator: -